multilayer

0812 - defenceless

sony nex 7 with walimex pro 8mm f2.8| f5.6 | ISO100 | 1/4


are these art or trash, what do you think? unfortunately light wasn't as it ought to be today in the early morning, so that an ordinary landscape shot was no option. so i thought about a way to express the greyness of landscape, the defencelessness of these gracile plants and the circumstance that the already hurt, huge grasses are completely and utterly at the winter's mercy.


sony nex 7 with walimex pro 8mm f2.8| f5.6 | ISO100 | 1/2
only a few of the blades are still standing. the rest is fractured and snapped of. beneath the burden of the heavy, relatively wet snow they are not able to resist.

2011 - sting of remorse


setup: sony nex 7 with sel 50 f1.8 | 50mm | f11.0 | ISO100 | 30s | lightroom 4.2

i really don't want to be narcissistic or blow my own trumpet but i would actually count myself among the medium to high performer. despite that i sometimes think about closing my eyes, taking a longer time out and a breather, if only rarely in life. relaxation, muse, inaction. for many a long year.

no, not now and not here! later! you are young and especially during the next years you will be able to sop up everything easily. show iron will, studiousness and endurance and you will benefit from these years in not too distant future. bear in mind that time is sustainably measured only on a long term scale: everything consists of nature and will be merged in nature again.

cu, trshptr

0611 - autumnal breeze




setup: sony nex 7 with fujian 35 f1.7 | 35mm | f1.8 | ISO125 | 1/60 | silver efex pro for lightroom

some things in life lie below the surface. what do you see in today's pic? a girl in heavy snow storm? a double exposure? not at all.

the photograph shows my little sister that is illuminated by the setting sun and reflected in a puddle. moreover the autumnal hedge in the background finally leads to complete confusion.

cu, trshptr

2510 - in black and white



setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f11.0 | ISO100 | 1s | lightroom 4.2

there is no more time for me to waste - i have to blacken a lot of paper during the next years again. my study is finally on-going. dozens of lecture notes have to be read and dozens of scripts have to be implemented. i wonder how i'll manage all the stuff.

i want to apologise in advance for shorter texts with the daily posting - i've to shift my focus to the really important things. besides the most important points like the family the study will occupy the most of my time (besides work, of course). and instead of text i'll understandably concentrate on the photograph.

in today's pic you can see three sheets of paper on the reflecting cover of my laptop, illuminated by my desk lamp. they still gleam completely white but be sure - the blackening is not far off!

cu, trshptr

2310 - behind the curtain



setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO100 | 1/500 | lightroom 4.2

for any reason i didn't take to barcelona like i'd thought in advance. too many areas were overcrowded from tourists - ok, i'd expected that. too many restaurants, bars and discos offer medium quality for a lot of money - i'd expected that, too. and too many pushy locals have bothered us in simply any situation - also that was to be expected.

the biggest problem was that under the influence of the these facts the wonderful city itself was often invisible or at least behind an ugly curtain. only in the early morning the pure and beautiful barcelona had the possibility to show up.

cu, trshptr

0208 - around the corner

0208 - around the corner

setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f8.0 | ISO100 | 1/60 | lightroom 4.1

a building that attracts me already since a few months is the nurses' hostel in friedrichshafen. the corridors are visible from outside through a huge glass facade. living in this big hostel has to feel more or less like living in the big brother house:

too disclosed to feel unobserved and too impersonal to feel home.

cu, trshptr

2007 - experimental views

2007 - experimental views

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO320 | 1/80 | lightroom 4.1

weekend time is visiting time. this weekend two fellow students are visiting me at lake constance. christian, who is the father of a two and a half year old, cute boy, hasn't been at my place since more than two years. and i've not seen karl, who is also a father since more than one year, since we ended our movement to the lake in summer 2009. a long time passed since then, but luckily we are still on the same page although we three are completely different as different can be.

after they'd arrived at my workplace, i've showed them everything in my company, the facilities and the beautiful surroundings at the lake. when we came home tina had already prepared the dinner so that we could directly have a seat for a great spaghetti bolognese and some beers. in the evening we visited the opening of the exhibition "experimentelle 17" and ended in a tiny little bar with another beer.

the vernissage gave variety in modern, experimental art: iron structures, paintings and sculptures of well- and also little-known artists are exhibited at five places at the lake constance for two months from now on. the work of peter casagrande was the most impressive one: he works with huge canvas and glaring colours, beautiful to look at. however the work of andreas lau was the most interesting one: as an example he creates plastic, three-dimensional images with dozens of multilayered dots with different diameters in front of a shadowed background. really formidable!

the image in my pic shows a blurred child, that is traversed by some parallel lines. if you view this image at a remove from some meters, the child is clearly visible. however if you see the painting from up close, everything blurs to a coloured mass. also very formidable and a top implementation by the artist!

for logical reasons i used the topic and the kind of implementation of "the child", my favourite exhibited painting, as an opportunity to implement my daily pic also of this character. my pic a multilayered, partly blurred, candid self portrait of tina and me in the environment of the exhibition.

cu, trshptr