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0902 - grain skin

grain skin - sony nex 7 | sel50 f1.8 | f1.8 | ISO6400 | 1/15

today i finally decided to make the next small (fun-) step in my photographic life - before the production of 35mm film will be completely discontinued anytime, i'm going to have at least one try with analog photography even this spring. therefor i ordered one role ilford delta 3200 Professional (b+w), kodak portra 800 (colour) and fujifilm superia 1600 (colour) each. 

why such sensitive films? well, i want to begin (and probably stay) with a ultra-compact fun cam, something like a diana mini or any other lomography camera, since it has to accompany me to music festivals and other chaotic events where the nex usually has no place in. naturally you have to use high iso films if you want to shoot these lomo cams (fixed plastic lens, (almost) fixed, slow f-stop - f8/f11 switch, fixed shutter speed - 1/60) at dusk. although i definitely expect not less than blurred, grainy, absolutely poor exposed results of my coming lomo cam, i'm able to look forward to work with film. expectations can only be belied if they are exaggerated. actually i have only one expectation: with at a max 36 images on a role you have to think long and hard about your composition, which is why i hope to improve my photographic skills further.

with the intention to give high iso film a try sometime, i avoided to apply noise reduction to my self portrait already today. what you see is my grainy face in the double window of our kitchen with the idyllic, nightly yard in winter dress in the background.

0602 - awakening

awakening - sony nex 7 | sel50 f1.8 | f4.0 | ISO1600 | 1/25

as stated elsewhere i've already expressed my surprise about the chosen colouration of the two new auxiliary buildings of friedrichshafen hospital and like to renew this statement: for whatever reason the medical centre for the resident doctors with attached psychiatry was designed in bright colours, whereas the also new mother-child centre is coated in olive. for me this is hardly to understand.

1412 - half

sony nex 7 with sel 50 f1.8 | f2.8 | ISO100 | 1/500

taking candid pictures of people in public is about catching the right moment. you already see the scenery but you still have to wait till another object or another boundary condition is completing your image. 

in case of the photograph above the third person crossing the bright reflections of the sunlight was the key for an interesting composition. the lady - the person is carrying a handbag - causes exactly the amount of confusion i wanted to have in there.


sony nex 7 with sel 50 f1.8 | f5.6 | ISO100 | 1/400

(almost) perfect symmetry. even simple things can be so beautiful when you arrange them differently.

1312 - reasonable doubt

sony nex 7 with sel 50 f1.8 | f1.8 | ISO100 | 1/250

till today tina hasn't completely taken to the things i'm concerned with. this stands to reason, since even i by myself don't feel certain with every detailed issue of this complex topic. all the things that are made for killing bring along a very negative connotation, regardless of whether the underlying engineering achievement deserves acknowledgement or not.


sony nex 7 with sel 50 f1.8 | f1.8 | ISO100 | 1/500

how much sorrow had this old jet brought upon the global population before it was retired? this is definitely the wrong question. 

the evil itself isn't arising from the existence of weapons. quite the opposite, due to the incredible power, energy and force of tools like jets (today's dangerous, irregular) enemies can be thrown again and again. in the best case it's enough to deploy every weapon only in the context of show of force. i wish this could be the custom.

0912 - christmas spirit

sony nex 7 with sel 50 f1.8 | f1.8 | ISO1600 | 1/80

to tell the truth, i've never felt such an intense christmas spirit before. we have consistent snowfall since almost two weeks now and tina decorated the whole flat already at the end of november with all the lovely stuff that makes for a comfortable surrounding.

on that matter i can understand that even the neighbour cats try to escape the cold and warm up on our heated floor.

0712 - tree house

sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f2.8 | ISO1600 | 1/40

any child should have played play in a tree house at least once in a lifetime. although this nicely illuminated exterior wall in constance has actually nothing to do with these kind of children playgrounds, the shadow play and in this context the pun 'tree house' reminded me of my early youth again.