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2912 - focus on top

sony nex 7 with sel 35 f1.8 | f1.8 | ISO100 | 1/2000

both manual focusing and autofocus work well with the sony sel 35 f1.8. for the picture above i focused on the solitary flower in the upper middle of the frame. due to the focus peaking feature of the nex system and the butter smooth focus ring manual work is rather a pleasure than a step backwards in history. i really like the atmosphere of this (definitely imperfect) photograph, it might have been captured also at the mediterranean seaside.


sony nex 7 with sel 35 f1.8 | f1.8 | ISO1250 | 1/60

some hours later cold and rough friedrichshafen got us back. for this street shot i used the autofocus system, applied on the four ladies on the left-hand side of the frame. the chief difficulty in this scene was the fact that what you see in the photograph is actually a scattered reflection of the goings-on in the street, quasi an image of the ceiling of this corridor. despite that issue the autofocus didn't pump and did his work satisfactorily. 

2212 - yellow guidance

sony nex 7 with sigma 30 f2.8 ex dn | f4.0 | ISO320 | 1/60

unfortunately my holidays have not begun yet. and maybe i will not get more than a chance to take one deep breath before i have to proceed immediately with going through the current topics of my study. every now and then i recall all the great trips of 2012 to relax my soul and in this context i'd like to publish some of the images that are still in my mind.

the clean and modern entrance hall of the airport in barcelona is quite contradictory to the historic and rather messy centre of the city. both during the arrival as well as whilst departure i was really fascinated by this contrast.

1812 - k42

sony nex 7 with sigma 30 f2.8 ex dn | f4.0 | ISO1000 | 1/60

there are a few great restaurants on the lake, even in boring friedrichshafen. for our today's christmas party with some work mates tina had chosen the k42 felders restaurant, which is located directly on the waterfront. 


sony nex 7 with sigma 30 f2.8 ex dn | f2.8 | ISO500 | 1/60

in retrospect i have to say that this was the best choice she could have made - in my opinion the k42 is the best restaurant in friedrichshafen. cool design, pleasant service, great food and delicious wines. recommendation!

0911 - options



setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO3200 | 1/13 | silver efex pro for lightroom

usually you have many options to watching tv in the evening: reading a book, surfing the web, talking to each other or playing games are only a few of them. unfortunately german television programmes are mainly of poor quality by this time. in fact most of the broadcasters have to be avoided completely, otherwise you risk your solid sense.

plainspoken with increased regularity watching tv isn't an option for me and us anymore. while my girls are resting on the couch and reading their stuffs i'm going to head off to meet my best friend here in homeland, the only thing that makes sense for me now.

as a technical note the pic above was processed without any noise reduction or additional grain again - not so bad after all.

cu, trshptr

0611 - autumnal breeze




setup: sony nex 7 with fujian 35 f1.7 | 35mm | f1.8 | ISO125 | 1/60 | silver efex pro for lightroom

some things in life lie below the surface. what do you see in today's pic? a girl in heavy snow storm? a double exposure? not at all.

the photograph shows my little sister that is illuminated by the setting sun and reflected in a puddle. moreover the autumnal hedge in the background finally leads to complete confusion.

cu, trshptr

2510 - in black and white



setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f11.0 | ISO100 | 1s | lightroom 4.2

there is no more time for me to waste - i have to blacken a lot of paper during the next years again. my study is finally on-going. dozens of lecture notes have to be read and dozens of scripts have to be implemented. i wonder how i'll manage all the stuff.

i want to apologise in advance for shorter texts with the daily posting - i've to shift my focus to the really important things. besides the most important points like the family the study will occupy the most of my time (besides work, of course). and instead of text i'll understandably concentrate on the photograph.

in today's pic you can see three sheets of paper on the reflecting cover of my laptop, illuminated by my desk lamp. they still gleam completely white but be sure - the blackening is not far off!

cu, trshptr

1410 - home again



setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO1600 | 1/40 | silver efex for lightroom

being separated from tina for more than a week let me feel sick.

coming home after ten days feels a bit like getting to know her and the whole surrounding completely new. a sense of delight mixes with a feeling of relief. hopefully this will stay forever.

cu, trshptr

1209 - in the nex jungle

1209 - in the nex jungle

setup: sony nex 7 with sel 50 f1.8 | 50mm | f8.0 | ISO1600 | 1/15 | tripod | lightroom 4.1

september, the 12th. wednesday. new product announcement day of apple, err sony. how shall one think about the event, the vast number of add-on discussions and the announced products itself?

well, the huge excitement of the masses is no accident and definitely part of a well planned sales strategy. the announcement date shortly before the photokina as well as the associated proceedings form a coherent circle. all the rumors that went public during the last weeks were preplanned leaks and not more than feeding for the (very) interested people. special campaigns like luca rossini's adventure to alaska that was sponsored by sony itself and used for shooting a promotion video about the brandnew sony nex 6 show the enthusiasts that also their works are observed, principally simply everybody is able to reach the masses. such campaigns motivate the enthusiasts to make their works still more public in the future and contribute to sony's great products. additionally all the already prepared reviews, that are mushrooming up at the moment, shall immediately put the new gadgets in place on the market.

but mind, these facts affect an almost negligible number of prospects. i'm referring to a small number of internet affine photographers whose opinions are of course very important for a brand like sony while launching new products: without any further effort by sony they act as remote-controlled multipliers. photographers like steve huff are the best salesmen ever, because they convince - no, they have already convinced - the enthusiast amateurs and they again convince the main part of the prospects, the main target audience, by pushing the products in the charts, by reviewing and by also retelling the shiny image of the new must-haves. i'm spotting a perfect textbook pyramid scheme that is currently brought up by sony. so much for marketing theory, but which information can we derive from these quite ordinary processes?

in my opinion first and foremost there is the right to exist for every new (nex) camera body. believe me, they all, the f3, 5r, 6, 7 and maybe also a fullframe option will sell like hot cakes. for each of them there is a market that only has to be developed. additionally the development effort for sony to modify an existing model to a new, modest one is manageable and definitely worth the try. all the models use the same software kernel, what simplifies the statement of the problem many times over. and the hardware section is structured modularised for sure. at the moment the market of very capable and small mirrorless cameras is still desaturated and as a company like sony you have to try to reach every corner of it. so in place of sony i also wouldn't be above launching so many bodies like a few clever clogs are.

let's get around to the several announcements:

i'll pass the a99 plus the new a-mount lenses because i'm not up to date in this sector.

like many others have already said the announced rx1 is a first try to make a market for a fullframe compact. like fuji had done with the x100 and the x-pro1 and aps-c sensors sony will (maybe) do with the rx1 and a nex fullframe option: if the fixed-lens camera sells well and the people request for a changeable lens model sony will deliver. at the latest next year.

the nex 6 seems to be the better nex 7 for low light situations. an improved autofocus system, the less mp sensor, app support and the wifi feature form a good and capable package. solely the pasm dial distracts me, it isn't suitable for an enthusiast dslr replacement.

the very compact 16-50 f3.5-5.6, stabilised, retractable powerzoom (kit) lens will be by far the most sold lens in the future. it compensates the biggest contradiction in the whole nex system till now: besides the sel 16 f2.8 there wasn't any really pocketable (sony) lens - nex combination. till today. if the iq of the lens is more than average maybe also some actually fixed focal length lenses using photographers are going to buy this tiny little zoom lens.

the 35 f1.8 is the long-awaited standard lens for the nex system. stabilised, relative compact and lightweight and with a bright maximum aperture of f1.8 it is a must-have lens for everybody who hasn't covered this focal length yet. and if it is only almost as good as the 50 f1.8 it will also sell like hot cakes.

when the 35 f1.8 is the long-awaited standard lens, the 10-18 f4 must be the longest-awaited lens for the entire nex system. the sole wide angle option so far, the sel 16 f2.8, could never satisfy the high standards of the community, especially mounted to the nex 7 and its incredible 24mp sensor. i'm pretty sure that sony has developed a great ultra wide angle zoom with good iq. the killer feature stabilisation is much more than only a compensation for the maximum aperture of "only" f4, it gives you an equivalent of a non stabilised uwa lens with f2. thereby at 10mm shutter speeds of 1/4 or maybe even 1/2 could be possible with a steady hand! i'm beginning to save up money for the 10-18 f4 quite now.

some minor criticism at the sidelines: in my opinion all the nex owners may calculate on firmware updates for one big reason: firstly also sony should have recognised that their update policy is far below the policies of their competitors. although there aren't huge bugs in the firmware of the nex 5 and 7, an update especially regarding the autofocus system, auto bracketing and a few points more would be more than appropriate. again fuji has already shown how to do it. we are waiting! the product lifecycle has not ended with delivering an item!


probably in today's posting there are far too many technical points for the most of my readers and highly probable i'll never write that much text about equipment anymore, but today it was definitely apposite. i for one will keep my beloved nex 7, turn my back on the 35 f1.8 for now (because of the sigma 30 f2.8) and go for the 10-18 f4. and yes, i will be still focused on the images.

please feel free to comment my posting with your thoughts.


so let's finally come up to the daily pic, that i've shot besides the reading of plenty of websites of (useless) technical information today, of course (time that i could have used for shooting and improving my skills...):

unfortunately the poor sideshow bob is trapped in the jungle of nex equipment. nex here, nex there. he's a bit confused. what should he do? should he follow the people who stay on discussions about equipment? i think we have already helped and furnished him a fit occasion.

thx for reading and cu, trshptr

btw: furthermore as you may have recognised, a minor update of the blog layout took place, too. i hope the current rendering pleases.

2607 - out of the depths

2607 - out of the depths

setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO1600 | 1/60 | lightroom 4.1

... the dark knight is rising.

i'm just back from the cinema where the movie "the dark knight rises" has premiered. and i'm still stunned by the vigorous images that were presented in the third part of christopher nolan's film series. although i might say that the story of the second part pleased me a bit more after the first view, the outlining of the several characters is realised very, very well! just this fact justifies the visit to this movie.

maybe i'm going to dream about the movie characters tonight, about good and evil, batman and bane, integrity and betrayal. all these points are really hard to get hold of and the borders between them are partly fluent.

in the most general sense this posting renders homage to the great batman trilogy. unfortunately i don't own a batman mask so that i had to take a wooden mask from bali to cause a bit of fear. who can say how the next baddie will look like?

cu, trshptr

2007 - experimental views

2007 - experimental views

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO320 | 1/80 | lightroom 4.1

weekend time is visiting time. this weekend two fellow students are visiting me at lake constance. christian, who is the father of a two and a half year old, cute boy, hasn't been at my place since more than two years. and i've not seen karl, who is also a father since more than one year, since we ended our movement to the lake in summer 2009. a long time passed since then, but luckily we are still on the same page although we three are completely different as different can be.

after they'd arrived at my workplace, i've showed them everything in my company, the facilities and the beautiful surroundings at the lake. when we came home tina had already prepared the dinner so that we could directly have a seat for a great spaghetti bolognese and some beers. in the evening we visited the opening of the exhibition "experimentelle 17" and ended in a tiny little bar with another beer.

the vernissage gave variety in modern, experimental art: iron structures, paintings and sculptures of well- and also little-known artists are exhibited at five places at the lake constance for two months from now on. the work of peter casagrande was the most impressive one: he works with huge canvas and glaring colours, beautiful to look at. however the work of andreas lau was the most interesting one: as an example he creates plastic, three-dimensional images with dozens of multilayered dots with different diameters in front of a shadowed background. really formidable!

the image in my pic shows a blurred child, that is traversed by some parallel lines. if you view this image at a remove from some meters, the child is clearly visible. however if you see the painting from up close, everything blurs to a coloured mass. also very formidable and a top implementation by the artist!

for logical reasons i used the topic and the kind of implementation of "the child", my favourite exhibited painting, as an opportunity to implement my daily pic also of this character. my pic a multilayered, partly blurred, candid self portrait of tina and me in the environment of the exhibition.

cu, trshptr