2411 - transition

setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f2.8 | ISO100 | 1/1000 | lightroom 4.2

after an evening like yesterday's it's always good to face up to the opposite side of the society. while my girls were insensitively shopping in the rhein-neckar-mall of mannheim-viernheim, i had the time to stroll around the blocks. there weren't many coloured dots to find in the middle of the almost brown and partly abandoned environment.

setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f8.0 | ISO100 | 1/200 | lightroom 4.2

the transitions there from the occupied areas to the abandoned and inhospitable ones are hard, immediate and obvious. a suburb of mannheim in the year 2012: plain straight.

cu, trshptr

2311 - privileged point of view

setup: sony nex 7 with walimex pro 8 f2.8 fisheye | 8mm | f2.8 | ISO1600 | 1/25 | cornerfix & lightroom 4.2

you may agree with me that there are a few events in everyone's life that remain unforgettable. since i haven't the possibility to get treated in a vip box every weekend, a stadium attendance like today's will be surely held in my head for my whole life.

it was the second time that i watched a hockey match from this privileged point of view. what is sure is that the possibility to obtain only a standard ticket for the top match between cologne (2nd) and mannheim (1st) was vanishingly low, but the chance to get a vip ticket was definitely non-existent for relatively ordinary people like us. for that reason i'm all the more thankful for this event to our best friend jeen, who had invited us to mannheim.

cu, trshptr

2211 - closed

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.8 | ISO1600 | 1/13 | lightroom 4.2

whenever i pass the vineyard of bermatingen i remember the nice wine tasting with our neighbours in spring of 2012. considering that we live in a dedicated wine-growing region, tina and i drink really not a lot of the red or white juice of the grape. theoretically i'd enjoy working up a wine appetite at the local shop by nosing and tasting several sorts of wine.

if i'd only come home earlier more often.

cu, trshptr

2111 - disenchanted world

setup: sony nex 7 with sel 50 f1.8 | 50mm | f4.0 | ISO100 | 1/100 | lightroom 4.2

it's incredible how fast the nature changes its appearance in november. two days ago the landscape was barely shining brightly, and several hours after this photograph was taken the mist had already cleared away again. these days our environment often seems to be part of a strange, alien planet's landscape. only a few signs point to the presence of the human race.

setup: sony nex 7 with sel 50 f1.8 | 50mm | f5.6 | ISO320 | 1/80 | silver efex pro for lightroom

besides the wonderful coloured, falling leaves the late autumn always implicates the decay of the other, non-hardy plants. all the small bushes, tall grasses and flowers die, at least the parts of these plants that were growing and shining at the surface for the whole spring and summer period. anyhow you can cherish a hope that they will appear next spring again.

cu, trshptr

2011 - sting of remorse

setup: sony nex 7 with sel 50 f1.8 | 50mm | f11.0 | ISO100 | 30s | lightroom 4.2

i really don't want to be narcissistic or blow my own trumpet but i would actually count myself among the medium to high performer. despite that i sometimes think about closing my eyes, taking a longer time out and a breather, if only rarely in life. relaxation, muse, inaction. for many a long year.

no, not now and not here! later! you are young and especially during the next years you will be able to sop up everything easily. show iron will, studiousness and endurance and you will benefit from these years in not too distant future. bear in mind that time is sustainably measured only on a long term scale: everything consists of nature and will be merged in nature again.

cu, trshptr

1911 - light saw

setup: sony nex 7 with sel 50 f1.8 | 50mm | f5.6 | ISO100 | 1/125 | lightroom 4.2

today i captured the best photograph so far. on my way to work with the mountain bike i drove along a track that leads to a small t-crossroad in the middle of nowhere. heavy fog narrowed the sight distance to not more than 30 metres. the air was cold, humid and fresh and dew lay on meadows and fields.

just when i headed for the crossroad the fog tore partly open and let a few sun beams pass through the grey curtain. this circumstance made for a three-dimensional stagger of the background and additionally the foreground was gleaming what was due to the illuminated dew. so only fore- and background would have been a great scenery for a dramatic photo but, believe it or not, things got even better: suddenly a throng of round about fifty chattering geese appeared with a farmer in tow. the farmer seemed to herd them onto a new meadow. the whole scenery was completely surreal and i really thought that i'm in the wrong film.

today i captured the best photograph so far, but i captured it only in my mind. i arrived a few seconds too late, so that the animals and the farmer had already passed the perfect spot for a great, candid picture. only a few minutes later all the magic was over and the sun prevailed, at least temporarily. fortunately i decided to stop my bike in the forest some minutes after i'd met the farmer and, anyhow, i took an also nice, if not necessarily extraordinary image.

cu, trshptr

1811 - temporary dormancy

setup: sony nex 7 with sel 50 f1.8 | 50mm | f4.0 | ISO100 | 4s | lightroom 4.2

during the cold season my racer is mostly parked in the bedroom. already in hamburg i'd convinced tina of the necessity to accommodate the gracile bike in a delightful surrounding - in this way one of my bicycles found its way into our bed chambers.

i've no clue why it struck my eye just today - i hadn't mind it since several weeks now. but when i entered the bedroom without switching the lamps on, it looked at me in the dark, only by the corridor lights illuminated environment as if it wants to claim more attention from me.

no fear, my darling, you are reserved for prime weather conditions. hopefully you are satisfiable with the starring of today's posting for now.

cu, trshptr

1711 - dreisam

setup: sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f2.8 | ISO100 | 1/400 | lightroom 4.2

don't know if you have ever had a premonition of what was to come next at some point in your life. today this was the case with me.

unfortunately i wasn't allowed to bring my camera in the concert hall in freiburg where the famous german song writer herbert groenemeyer was performing with his old favs from former times for almost three hours in the evening. already during our journey there i had a vague premonition that my (small) camera bag could make problems and that was how it came that i had to deposit my nex at the wardrobe. despite a bit of initial anger we had a great concert with a lot of songs that weren't played on concerts for a long time.

anyhow, i had already captured a few impressions of freiburg during the afternoon, so that i can compensate the absence of my equipment in the evening for the daily posting with a nice street shot: this guy was waiting, maybe for the bus, on a bridge across the dreisam, the river that crosses freiburg's centre. moreover dreisam is the german word for "in a threesome" and funnily they were three who were waiting side by side.

cu, trshptr

1611 - burning bum syndrome

setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO160 | 1/80 | lightroom 4.2

since i hanged up my active football career in may, cycling has come into my focus more and more. my bum isn't accustomed to the daily rides yet, so many a time it gets me back for stressing it permanently.

nevertheless currently there is nothing better and relieving for me than riding a bike in the cold mornings or evenings and a hot shower afterwards. 

cu, trshptr

1511 - cascade

setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO100 | 1/400 | lightroom 4.2

if you concentrate on seeing natural patterns in your daily environment, you should surely catch sight of many of them.

they might not always make a good subject for photography if you'd image them in their overall context. but if you handle detaching them from their surrounding and highlighting the peculiarity of your composition, the results will satisfy you very probably. additionally you can try to mix overall patterns with small ones - i especially like this feature in today's photograph of the green, straightly triangle-shaped hedge in association with the wonderfully coloured, patterned leave mass.

cu, trshptr