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1107 - humanoid camera

1107 - humanoid camera

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.8 | ISO100 | 1/13 | lightroom 4.1

when you are an ambitious photographer that is willing to learn constantly, at some point you will realise that you have begun to see your life only in frames. this is basically not so bad, you learn to handle this circumstance.

whereas the point to feel pressured by the obligation of capturing a suitable pic per day is a real problem. i ran into this issue some weeks ago and believe me, especially for an absolute beginner of serious photography this burden is definitely not conducive to obtain the best possible results and to learn the hobby in a relaxed way. you try to figure out if any, really any object would make a good scene - this is an exhausting process!

learning is known as a process whereby you improve your skills with every fault or problem you did. you have to be fully aware of this case, otherwise your expectations on yourself will always be unaccomplished. my personal aim of this photography project is the self-discovery which kind of photography i like and what kind of photographer i am, too.

in the course of this i sometimes feel like a humanoid camera.

cu, trshptr

0807 - natural evanescence

0807 - natural evanescence

setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO100 | 1/400 | lightroom 4.1

no matter how bad the mankind worries the earth, the natural regulation will gain. although this means that the mankind itself will go down, the nature will survive even if maybe only in an other form and not before dozens of centuries of regeneration.

that's why these days flowers stand not only for beauty but also for evanescence. as long as light incides on the earth flowers will come round again and again. and when the light will forever disappear at some point, the time will also stop at this time: there is no need for beauty in everlasting darkness.

cu, trshptr

0707 - depth

0707 - depth

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO100 | 1/4000 | lightroom 4.1

unfortunately vacations seem to end always in the high of the personal emotions. just when we felt comfortable with the whole surroundings in lisbon, we sadly had to depart to faro to catch our flight to memmingen.

summarising can be said that the south of portugal is also definitely worth a journey or a even longer trip in vacations. thereby both the southern region around the algarve and the north around porto have their special issues and pros and cons: as i had supposed the southern landscape is more rocky and touristic than the rest of portugal, on the other hand the north-south shore of the north is more suited for surfing.

the duel between the cities porto and lisbon ends up in a tie: both cities are located at the atlantic coast and at the mouth of a big river. both profit from the maritime influence of the seafaring, the fishing and a dozens of thousands of seagulls. porto convinces with its naturalness and unobtrusiveness, whereas lisbon scores with its variety and a great nightlife. i think i'm going to see over both of them during the next years surf trips again.

a special detail of lisbon's townscape are its streets: cobbled streets and steep descent make your life a living hell if you are old and it teems down so that the cobblestones become slippery. what appears for the visitors as an eye candy, discommodes the lives of the local citizens. good if you can move hand over hand along a dozens of bollards.

0607 - pulling the strings

0607 - pulling the strings

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO100 | 1/4000 | lightroom 4.1

the tram of lisbon is world-famous. the "carros eléctricos de lisboa" are operated by electricity already since 1901. due to the partially historic transport fleet and the interesting routing across the hilly townscape of lisbon the tram is very popular with the tourists.

besides the obvious points of the tram as a wonderful infrastructural feature of lisbon it attracted my attention with its spiderweb of contact wires that is pulled across the whole city centre and in that way indirectly influences the townscape. in spots only one ring sticks a lot of wires together. amazing thing!

cu, trshptr

0407 - arco da rua augusta

0407 - arco da rua augusta

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.8 | ISO200 | 1/20 | lightroom 4.1

for a beginner like me it isn't that easy to develop a different view on the common and sometimes most photocopied scenes of the world. there is a repugnancy: you want to attract the viewer but you don not want to bore him with well known images. for lisbon i especially set my sights on keeping the number of pictures within a limit and additionally i want to try to avoid pictures that in this way were shot already thousand times before.

let's get started with a view of the ceiling of the arco da rua augusta. it is a triumphal arch-like, historical building and visitor attraction on commerce square, built to commemorate the city's reconstruction after the 1755 earthquake. it has six columns (some 11m high) and is adorned with statues of various historical figures. originally designed as a bell tower, the building ultimately transformed into elaborate arch within more than century-long delays (source).

cu, trshptr

0207 - parallel running

0207 - parallel running

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.8 | ISO1250 | 1/80 | lightroom 4.1

many things in life run parallel. love and hate, black and white and also things that aren't that contrasting like occupation and vocation. not everybody is able to unify occupation and vocation. a great many people only work to earn the necessary amount of money to ensure the life standard and actually fulfil their selves in spare time with any hobbies.

by pure chance i met bruno guerreiro, a portuguese photographer, in the historic town of lagos today in the evening. he approached me because of my camera equipment and in so doing we got into conversation about photography and anything else. he's going to exhibit some stuff in the cultural centre of lagos starting in the middle of july. i entrust a visit of his exhibition to everybody who lives or is currently for holidays in portugal: http://brunoguerreirophotography.pt.vu

like the great many people i spoke about in the first paragraph he is also not able to earn his bread and butter with his photography but it is his passion and his heart is really in it. it was really nice meeting you, bruno!

cu, trshptr

0107 - flagged

0107 - flagged

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO400 | 1/20 | lightroom 4.1

till wednesday everything revolves about surfing. so at present there is hardly time for other activities because after three hours of surfing you are simply dead.

after a restful sleep of minimum six to seven hours you have to breakfast extensively to accumulate an adequate amount of energy for the first lesson. after the transfer to the surf sport monte clérigo near aljezur at the west coast you complete your equipment and before the action restarts in earnest. three hours of surfing that are divided by a break of round about one hour for lunch.

in the evening we are completely starved and exhausted so much that after another extensive meal in the historic town of lagos in the most cases the next way leads us directly into bed. anyhow one or another photo opportunity falls to me. probably i'm going to zero in on photography in lisbon again.

cu, trshptr

2906 - among the others

2906 - among the others

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO100 | 1/800 | -0.7ev | lightroom 4.1

tomorrow we will depart germany towards portugal. a few days of surfing will be combined with a roadtrip along the southern west coast to lisbon. for that reason today we were enjoying our spare time after work before we will have to leave our home: besides some hours of chilling in our yard under the sun umbrella in the afternoon tina and i had a long walk through the fields around our village where we played hackysack and badminton and watched the sunset till the mosquitos began to eat us alive.

when you observe the edges of the fields attentively you can sometimes spot special sceneries of the vegetation: at odd times a complete different breed is arrayed among the others. similarities to real life can't be denied.

cu, trshptr

2806 - that's it

2806 - that's it

setup: sony nex 7 with sel 50 f1.8 | 50mm | f2.0 | ISO800 | 1/80 | lightroom 4.1

halftime. short break. time to catch a breath. time to have a cigarette, even for non-smokers. disillusion already at halftime.

yesterday italy operated simply more intelligent than our team. tactical clever, mersiless effectiv, simply great: for long periods they have played masterfully. despite a huge bunch of opportunities our attackers didn't bring about to net. and if you don't score you won't win.

now i wish the italian team the best of luck to beat the spanish. contrary to all other teams the italians have managed to improve their performance with each match. on sunday they will have to perform once again.

cu, trshptr

2606 - dead wood

2606 - dead wood

setup: sony nex 7 with sel 50 f1.8 | 50mm | f1.8 | ISO100 | 1/640 | lightroom 4.1

tina is one of the old school - reading becomes accepted only on paper. printed matter is highly regarded by her, kindles are admired but fundamentally not used (yet).

"there are enough reasons against these items. what would for example be that they don't smell. or that i can't open a kindle up."
"yes, you can. use a cover and you will be able to open it up."
"but the smell..."

ok, a compelling evidence is nonexistent, but life isn't always logic and coherent. reading a novel has to do with dreaming and the medium has to transfer this atmosphere. so i can absolutely take her point.

for our upcoming surf vacation in portugal we bought a novel for each of us: tina is going to take jonas jonasson's "the hundred-year-old man who climbed out of the window and disappeared" along and i'm going to read mcgrath's "white heat". maybe i'll tell you more about these two pieces of poetry after the vacation.

since we ignore electronic reading material we put a direct strain on the nature - for the most part paper is made of wood. i don't exactly know what is worse for the environment: the complete life cycle of a handheld reader or the consumption of the at least renewable resource wood. my gut says that i'm currently on the correct side of the green conscience, even if only just.

cu, trshptr