sony

1512 - in the commercial vortex

sony nex 7 with walimex pro 8mm f2.8 | f8.0 | ISO200 | 1/6

shortly before christmas we are completely caught up in the commercial vortex. in these days the corridors of the shopping malls are usually overcrowded, since everybody seems to guess that the human kind will starve during the holidays and so the people start to build up reserves again.

fortunately there is a brand new shopping mall in our village since a few weeks now. it's a pleasure to go shopping there, the corridors are wide and empty and you can easily breeze through the shelves. at least today.

1412 - half

sony nex 7 with sel 50 f1.8 | f2.8 | ISO100 | 1/500

taking candid pictures of people in public is about catching the right moment. you already see the scenery but you still have to wait till another object or another boundary condition is completing your image. 

in case of the photograph above the third person crossing the bright reflections of the sunlight was the key for an interesting composition. the lady - the person is carrying a handbag - causes exactly the amount of confusion i wanted to have in there.


sony nex 7 with sel 50 f1.8 | f5.6 | ISO100 | 1/400

(almost) perfect symmetry. even simple things can be so beautiful when you arrange them differently.

1312 - reasonable doubt

sony nex 7 with sel 50 f1.8 | f1.8 | ISO100 | 1/250

till today tina hasn't completely taken to the things i'm concerned with. this stands to reason, since even i by myself don't feel certain with every detailed issue of this complex topic. all the things that are made for killing bring along a very negative connotation, regardless of whether the underlying engineering achievement deserves acknowledgement or not.


sony nex 7 with sel 50 f1.8 | f1.8 | ISO100 | 1/500

how much sorrow had this old jet brought upon the global population before it was retired? this is definitely the wrong question. 

the evil itself isn't arising from the existence of weapons. quite the opposite, due to the incredible power, energy and force of tools like jets (today's dangerous, irregular) enemies can be thrown again and again. in the best case it's enough to deploy every weapon only in the context of show of force. i wish this could be the custom.

1212 - small-town atmosphere

sony nex 7 with sigma 30 f2.8 ex dn | f8.0 | ISO100 | 1/6

it's so great to have such a highly compact and portable equipment with you every day. the nex7 together with a second lens and my gorilla pod fit into my daily shoulder bag without any problems.

because of that i'm able to react to almost every given scenery at almost all times. so even longer exposures of (small-) townscapes with moving elements do not cause any difficulties for me.

1012 - out

sony nex 7 with sigma 30 f2.8 ex dn | f2.8 | ISO160 | 1/60

principally you can escape from wet and cold only temporarily. anytime everybody has to clench his teeth and stand his ground.

both wet and cold are tolerable if they don't appear together at the same moment. currently temperatures are rising a bit so that the pleasant cold with crystal-like snow is turning into a nasty mishmash of medium low temperatures and additionally wet snowfall. hopefully this is only a temporary condition, too.

0912 - christmas spirit

sony nex 7 with sel 50 f1.8 | f1.8 | ISO1600 | 1/80

to tell the truth, i've never felt such an intense christmas spirit before. we have consistent snowfall since almost two weeks now and tina decorated the whole flat already at the end of november with all the lovely stuff that makes for a comfortable surrounding.

on that matter i can understand that even the neighbour cats try to escape the cold and warm up on our heated floor.

0812 - defenceless

sony nex 7 with walimex pro 8mm f2.8| f5.6 | ISO100 | 1/4


are these art or trash, what do you think? unfortunately light wasn't as it ought to be today in the early morning, so that an ordinary landscape shot was no option. so i thought about a way to express the greyness of landscape, the defencelessness of these gracile plants and the circumstance that the already hurt, huge grasses are completely and utterly at the winter's mercy.


sony nex 7 with walimex pro 8mm f2.8| f5.6 | ISO100 | 1/2
only a few of the blades are still standing. the rest is fractured and snapped of. beneath the burden of the heavy, relatively wet snow they are not able to resist.

0712 - tree house

sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f2.8 | ISO1600 | 1/40

any child should have played play in a tree house at least once in a lifetime. although this nicely illuminated exterior wall in constance has actually nothing to do with these kind of children playgrounds, the shadow play and in this context the pun 'tree house' reminded me of my early youth again.

0612 - fleck

sony nex 7 with sigma 30 f2.8 ex dn | 30mm | f2.8 | ISO1600 | 1/20

cern is a world-famous, huge laboratory located in geneva, switzerland. more than 10000 guest scientists work on high-energy physics research, their main function is to provide the different particle accelerators. the most famous experiment plant is the lhc, the large hadron collider. unfortunately the testing plants are continuously running till middle of 2013, so that you may not go down to the experiments itself. after the shutdown in summer of 2013 a two-years maintenance period will follow and then visitors might be allowed to have a look at the large tunnel system (lhc is 27 kilometres long) with the detectors.

besides the accelerators cern is the birthplace of internet, cloud computing and different other very useful and meanwhile prevalent things, although all these things were basically used as necessary tools to manage the scientific problems. it is a honour for every scientist to work at one of the great many institutes on the french border. today we had a very detailed behind-the-scenes tour with our department, executed by a retired, former cern researcher from germany.

fundamental research of a topic is as complex and simultaneously as simple as trying to understand each issue in life. many things surface not until later and completely different than expectable and incarnate intangible phenomena. you have to be able to handle this.